Over the course of the semester, students are required to submit 3 visual analysis papers of 1,300 words each. Using visual and formal analysis as well as context discussed in readings and in class to explore the meaning of one or a pair of images. Students have the option of writing about the materials presented in different weeks, as detailed below.
Week 1
Write about the following photograph:
Week 2
Write about the following photograph:
- Henri Cartier-Bresson, "Behind the Gare St. Lazare," Paris, 1932
Week 3
Niépce Photos
Photo by Nicéphore Niépce, "View from the Window at Le Gras." 1826 or 1827. Look at both copies of the photo - if you like, you may compare the two (even though they are technically the 'same' photo):
Week 4
Write about the following autochrome by Fernand Cuville:
Week 5
Harcourt Photos
Compare the two photos:
- Brigitte Bardot , portrait by Studio Harcourt, 1954
- Jean Renoir, portrait by Studio Harcourt, c.1980s
Week 6
This photo was taken in August 2016. Released by Vantage News, no photographer named:
Week 7
Write about the following photograph:
- Jon Rafman, "Rue des Poissonniers, Paris, France," 2009
Research & Investigation
Write about one of the two photographs, or compare them:
Week 8
Write about the following photograph, Henry Peach Robinson, "Fading Away" 1858:
Week 9
You may write about a photo from the Tourneboeuf exhibition, as long as you did not already write about the photo in depth in your exhibition review.
Week 10
Tourism and Travel
Write about one of the two photographs, or compare them. Think this week about function as well as meaning.