Films and Readings

The Documentary Form

• Science at MIT: Jay Forrester and the MIT Whirlwind Computer in "Making Electrons Count" (1950) and the CBS TV program See It Now (1951)
• Primary. Directed by Robert Drew. Black and White, 60 min. 1960.

• Fast, Cheap and Out of Control. Directed by Errol Morris. Color, 80 min. Sony, 1997. [Link includes short clip] and The Fog of War: Eleven Lessons from the Life of Robert S. McNamara. Directed by Errol Morris. Color, 95 min. 2003.

• Charles, and Ray Eames. "Powers of Ten." Aug 26, 2010. YouTube. http://www.youtube.com/watch?v=0fKBhvDjuy0

Early Film

• Lumiere Brothers and Kinetoscope shorts
• Charles Urban's "Cheese Mites" (1903)
• Science films of the early 20th century

Background

Sturken, Marita, and Lisa Cartwright. "Introduction." In Practices of Looking: An Introduction to Visual Culture. 2nd ed. Oxford University Press, 2009. ISBN: 9780195314403.

Recommended For Graduate Students

Landecker, Hannah. "Microcinematography and the History of Science and Film." Isis 97, no. 1: (2006): 121–32.

Nanook of the North. Directed by Robert Flaherty. Black & white, 79 min. 1922. [Full length video at Archive.org]

The Man with a Movie Camera. Directed by Dziga Vertov. Black & white, 68 min. 1929. [Full length video at Archive.org]

Optional Clips

Nanook Revisited. Directed by Claude Massot. Color, 60 min. Films for the Humanities and Sciences, 1990. [Clip]

Atanarjuat (The Fast Runner). Directed by Zacharias Kunuk. Color, 172 min. Sony, 2001.

Required

[Barnouw] Chapter 1 in "Glimpse of Wonders" and chapter 2 in "Images at Work."

Additional Reading Required for Graduate students, and Background for Essay Assignment

Vertov, Dziga. "We: Variant of a Manifesto." Chapter 1 in Kino-Eye: The Writings of Dziga Vertov. Edited by Annette Michaelson. University of California Press, 1984. ISBN: 9780520056305. [Preview with Google Books]

Grimshaw, Anna. "The Innocent Eye: Flaherty, Malinowski and the Romantic Quest." Chapter 3 in The Ethnographer's Eye: Ways of Seeing in Anthropology. Cambridge University Press, 2001. ISBN: 9780521774758. [Preview with Google Books]

Bordwell, David. "The Idea of Montage in Soviet Art and Film." Cinema Journal 11, no. 2 (1972): 9–17.

Feldman, Seth. "'Peace between Man and Machine': Dziga Vertov's The Man with a Movie Camera." Chapter 2 in Documenting the Documentary. Edited by Barry Grant and Jeanette Sloniowski. Wayne State University Press, 1998. ISBN: 9780814326398. [Preview with Google Books]

Rony, Fatimah. "Taxidermy and Romantic Ethnography: Robert Flaherty's Nanook of the North." Chapter 4 in The Third Eye: Race, Cinema, and Ethnographic Spectacle. Duke University Press, 1996. ISBN: 9780822318408. [Preview with Google Books]

Excerpt from "The Trigger Effect." Episode 1 in Connections. Directed by Mick Jackson, narrated by James Burke. 10 volumes, 5 DVDs. BBC/Time-Life, 1978. (http://www.youtube.com/watch?v=KjbtLbHn1zQ)

Frames of Reference. Directed by Richard Leacock. Black & white, 26 min. 1960. [Full length video at Archive.org]

Selected clips from films by Harold "Doc" Edgerton, drawn from collections in Edgerton Digital Archives and MIT TechTV

• "How a High-Speed Camera Works"
• "A Drop of Milk Falls on a Flat Surface then in a Pool"
• "Milk Dropped in Coffee, Milk, and on a Red Plate"
• "Hummingbird Flight"
• "Pigeon Flying Out of Man's Hands in Slow Motion"
• "Science Reporter - Underwater Photography"
• "Nuclear Explosions"

Required

Sturken, Marita, and Lisa Cartwright. "Scientific Looking, Looking at Science." Chapter 9 in Practices of Looking: An Introduction to Visual Culture. 2nd ed. Oxford University Press, 2009. ISBN: 9780195314403.

Traweek, Sharon. "Iconic Devices: Towards an Ethnography of Physics Images." In Cyborgs and Citadels: Anthropological Interventions in Emerging Sciences and Technologies. Edited by Gary Downey and Joe Dumit. School for Advanced Research Press, 1998. ISBN: 9780933452961. [Preprint manuscript (PDF)]

Recommended for Graduate Students

Haraway, Donna. "Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective." (PDF) Feminist Studies 14, no. 3 (1988): 575–99.

Roosth, Sophia, and Susan Silbey. "Science and Technology Studies: From Controversies to Post-Humanist Social Theory." In The New Blackwell Companion to Social Theory. John Wiley & Sons, 2008. ISBN: 9781405169004. [Preprint manuscript (PDF)]

Bathing Baby in Three Cultures. Directed by Margaret Mead and Gregory Bateson. Black & white, 10 min. 1951.

Under the Men's Tree. Directed by David and Judith MacDougall. Black & white, 15 min. Berkeley Media, 1970.

Joe Leahy's Neighbors. Directed by Bob Connolly and Robin Anderson. Color, 1988. 90 min.

• 9:14 clip: docued. "Joe Leahy's Neighbours (Highlands Trilogy) – PREVIEW." September 22, 2008. YouTube. Accessed July 21, 2011. http://www.youtube.com/watch?v=gU94HvYwn7M

Required

Mead, Margaret. "Visual Anthropology in a Discipline of Words." In Principles of Visual Anthropology. Edited by Paul Hockings. Walter de Gruyter, 1995. ISBN: 9783110126273. [Preview with Google Books]

Recommended for Graduate Students

MacDougall, David. "Visual Anthropology and Ways of Knowing." Chapter 2 in Transcultural Cinema. Edited by Lucien Taylor. Princeton University Press, 1998. ISBN: 9780691012346. [Preview with Google Books]

Jaguar. Directed by Jean Rouch. Color, 93 min. 1967.

• 1:54 clip: AfricaFilmLibrary. "Jaguar." November 5, 2009. YouTube. Accessed July 21, 2011. http://www.youtube.com/watch?v=G9rTiHC20y0
• 16:31 related video: docued. "Jean Rouch and His Camera in the Heart of Africa - PREVIEW." Sept. 9, 2008. YouTube. Accessed July 21, 2011. http://www.youtube.com/watch?v=3jzAegaqqf4

Chronicle of a Summer. Directed by Jean Rouch. Black and White, 85 min. 1961.

Required

Taylor, Lucien. "A Conversation with Jean Rouch." Visual Anthropology Review 7, no. 1 (1991): 92–102.

Feld, Steve. "Themes in the Cinema of Jean Rouch." Visual Anthropology 2, no.3-4 (1989): 223–47.

Recommended for Graduate Students

Henley, Paul. Chapters 8, and 9 in The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema. University of Chicago Press, 2010. ISBN: 9780226327150. [Preview with Google Books]

Primary. Directed by Robert Drew, Richard Leacock, D. A. Pennebaker, Terence McCartney-Filgate and Albert Maysles. Black & white, 60 min. 1960.

Titicut Follies. Directed by Frederick Wiseman. Black & white, 75 min. Zipporah Films, 1968.

The Beatles: The First US Visit. Directed by David and Albert Maysles. 83 mins. Capitol, 1964. [Link includes short clip]

Required

Direct Cinema filmmaker kin chart (PDF)

[Barnouw] "Observer" and "Catalyst", pp. 231–62.

Drew, Robert. "An Independent with the Networks." In New Challenges for Documentary. Edited by Alan Rosenthal. University of California Press, 1988. ISBN: 9780520057241

Recommended for Graduate Students

Winston, Brian. "The Documentary Film as Scientific Inscription." Chapter 3 in Theorizing Documentary. Edited by Michael Renov. Routledge, 1993. ISBN: 9780415903820.

Leacock, Richard. "For an Uncontrolled Cinema." Film Culture no. 22/23 (1961): 23–5.

Anderson, Carolyn, and Thomas Benson. "Direct Cinema and the Myth of Informed Consent: The Case of Titicut Follies." In Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television. Edited by Larry Gross, John Katz and Jay Ruby. Oxford University Press, 1991. ISBN: 9780195067804. [Preview with Google Books]

A Brief History of Time. Directed by Errol Morris. Color, 50 min. DVD. The Science Channel, 1991. [Link includes short clip]

• Supporting material—interview with Errol Morris about this film
  • DOCNYCfestival. "Errol Morris at A Brief History of Time – DOC NYC 2010 – Part 1." November 8, 2010. YouTube. Accessed July 26, 2011. http://www.youtube.com/watch?v=CbFSCHEVD1U
  • ———. "Errol Morris at A Brief History of Time – DOC NYC 2010 – Part 2." November 8, 2010. YouTube. Accessed November 26, 2013. http://www.youtube.com/watch?v=WPU4rFWVvuI

Fast, Cheap and Out of Control. Directed by Errol Morris. Color, 80 min. Sony, 1997. [Link includes short clip]

Required

Goldsmith, David A. "Errol Morris (Paris, January 9 and 16, 2003)." In The Documentary Makers: Interviews with 15 of the Best in the Business. Rotovision, 2003. ISBN: 9782880467302. [Preview with Google Books]

Baker, Maxine. "Errol Morris: American Iconoclast." In Documentary in the Digital Age. Focal Press, 2005. ISBN: 9780240156882.

Recommended for Graduate Students

McEnteer, James. "Errol Morris: The Politics of Personality." In Shooting the Truth: The Rise of American Political Documentaries. Greenwood Publishing Group, 2005. ISBN: 9780275987604. [Preview with Google Books]

Grundmann, Roy, and Cynthia Rockwell. "Truth is Not Subjective: An Interview with Errol Morris." Cineaste 25, no. 3 (2000): 4.

Sweetgrass. Directed by Lucien Taylor and Ilisa Barbash. Color, 100 min. Cinema Guild, 2010. [Filmmaker's website with synopsis, trailers, festival program notes].

• PBS POV: expanded synopsis, filmmaker interview, clip, and other learning materials.

Foreign Parts. Directed by Verena Paravel and J. P. Sniadecki. Color, 80 min. 2010. [Filmaker's website with synopsis]

• Five trailers at foreignpartsfilm's YouTube Channel.
• Interview with J. P. Sniadecki, 6:15. produzionidik. "J. P. Sniadecki FOREIGN PARTS." November 15, 2010. YouTube. Accessed July 26, 2011. http://www.youtube.com/watch?v=eh5bdsN0pwI

Required

MacDougall, David. "Introduction: Meaning and Being." In The Corporeal Image: Film, Ethnography and the Senses. Princeton University Press, 2005. ISBN: 9780691121567. [Preview with Google Books]

Balázs, Béla. "Selections." In Bela Balazs: Early Film Theory: 'Visible Man' and 'The Spirit of Film'. Edited by Erica Carter. Berghahn Press, 2010, pp. 3–87. ISBN: 9781845456603. [Preview with Google Books]

Recommended for Graduate Students

Carter, Erica. "Introduction." In Bela Balazs: Early Film Theory: 'Visible Man' and 'The Spirit of Film'. Berghahn Press, 2010. ISBN: 9781845456603. [Preview with Google Books]

MacDougall, David. "Unprivileged Camera Style." Chapter 9 In Transcultural Cinema. Edited by Lucien Taylor. Princeton University Press, 1998. ISBN: 9780691012346. [Preview with Google Books]

Mutual of Omaha's Wild Kingdom

Grizzly Man. Directed by Werner Herzog. Color, 103 min. Lions Gate Films, 2005. [IMDB page with trailer, clip and featurette]

Planet Earth. BBC, Directed by Alastair Fothergill. Color, 44 min. 2006.

Required

Mitman, Greg. Reel Nature: America's Romance with Wildlife on Film. University of Washington Press, 2009. ISBN: 9780295988863.

Recommended for Graduate Students

Haraway, Donna. "Teddy Bear Patriarchy." Chapter 3 in Primate Visions: Gender, Race, and Nature in the World of Modern Science. Routledge, 1989. ISBN: 9780415901147.

Cronon, William, ed. "The Trouble with Wilderness, or Getting Back to the Wrong Nature." In Uncommon Ground: Rethinking the Human Place in Nature. W. W. Norton & Co., 1996. ISBN: 9780393315110. (PDF)

Inuit Knowledge and Climate Change. Directed by Zack Kunuk. 2010. [Full length film in streaming and download formats]

Gasland. Directed by Josh Fox. Color, 107 min. 2010.

Required

Wohlforth, Charles. "The Whale." Chapter 1 in The Whale and the Supercomputer: On the Northern Front of Climate Change. North Point Press, 2005. ISBN: 9780865477148.

Excerpts from Wylie, S. A. "Corporate Bodies and Chemical Bonds : An STS Analysis of Natural Gas Development in the United States." Ph.D. thesis, MIT, 2011.

Recommended for Graduate Students

Callison, Candis. "Only on CNN": Climate Change, Media and Inuit Traditional Knowledge." Chapter 2 in unpublished dissertation, MIT HASTS Program, 2010.

Wohlforth, Charles. "The Inupiat." Chapter 2 in The Whale and the Supercomputer: On the Northern Front of Climate Change. North Point Press, 2005. ISBN: 9780865477148. [Preview with Google Books]

A Healthy Baby Girl. Directed by Judith Helfand. Color, 57 min. 1997.

Lumumba: Death of a Prophet. Directed by Raoul Peck. 69 min. Velvet Film, 1992.

Life 2.0. Directed by Jason Spingarn-Koff. Color, 100 min. 2010.

Required

[Barnouw] Chapter 3 in "Advocate", and Chapter 5 in "Guerilla."

Boellstorff, T. Selections from Coming of Age in Second Life: An Anthropologist Explores the Virtually Human. Princeton University Press, 2010. ISBN: 9780691146270.

Recommended for Graduate Students

Diawara, Manthia."The "I" Narrator in Black Diaspora Cinema." In Multiculturalism, Postcoloniality, and Transnational Media. Rutgers University Press, 2003. ISBN: 9780813532356. [Preview with Google Books]

Citron, Michelle. "Fleeing from Documentary: Autobiographical Film/Video and the Ethics of Responsibility." In Feminism and Documentary. Edited by Diane Waldman and Janet Walker. University of Minnesota Press, 1999. ISBN: 9780816630066. [Preview with Google Books]

Required

Walley, Christine J. "Deindustrializing Chicago: A Daughter's Story." In The Insecure American. Edited by Hugh Gusterson and Catherine Besteman. University of Minesota Press, 2010. ISBN: 9780520259713. [Preview with Google Books]

Ishizuka, Karen, and Patricia Zimmerman, eds. "Introduction: The Home Movie Movement." In Mining the Home Movie: Excavations in Histories and Memories. University of California Press, 2007.

Recommended for Graduate Students

Hirsch, Marianne. Selections from Family Frames: Photography, Memory and Postnarrative. Harvard University Press, 1997. ISBN: 9780674292659. [Preview with Google Books]